--- title: "Beat Markers in Premiere Pro – Find Every Beat | sync.video" description: "Add beat markers in Premiere Pro by tapping M, or detect every beat of a song in your browser and import the markers into Premiere or DaVinci Resolve. Free." url: https://sync.video/beat-markers-premiere-pro --- 1. [Home](https://sync.video/) 2. [Beat sync](https://sync.video/beat-sync) 3. Beat markers in Premiere Pro Free · runs in your browser # How to add beat markers in Premiere Pro Premiere has no automatic beat detection, so editors tap markers by hand. Here is that method, and a faster one: detect the beats in your browser and import them. To add beat markers in Premiere Pro, play the music in the timeline and press M on each beat; every press drops a marker you can snap cuts to. Premiere Pro has no built-in automatic beat detection, so this tap-along method is what most editors use, and a steady hand gets close but rarely exact. The alternative is to let software find the beats and bring them in as markers. Open the song in the tool on this page, check the beat grid by ear, then under **More options** choose **Beat markers** and download an **XML (Premiere)** file for Premiere Pro or an **EDL (Resolve)** file for DaVinci Resolve. Every beat, or with **Bar starts only** every bar, arrives on the timeline at once. The detection runs in your browser and the song stays on your device. If you only need the tempo, the [BPM finder](https://sync.video/bpm-finder) gives it in seconds; if you would rather the cuts were made for you, [beat sync](https://sync.video/beat-sync) cuts your clips on the beat and exports the finished video. A beat grid: the song’s beats (thin lines) and bars (thick lines) found from its loud attacks, with cuts placed on them. ## How to add beat markers in Premiere Pro by hand Premiere’s own method. Markers can go on the sequence (with no clip selected) or on the music clip itself (with it selected); clip markers move with the clip. 1. ### Put the music on the timeline Drag the song into your sequence on an audio track and move the playhead to the start. 2. ### Tap M on the beat Press the space bar to play and tap **M** (Add Marker) on every beat, or on the first beat of each bar for fewer markers. Markers appear along the ruler. 3. ### Tidy the markers Zoom in and drag any marker that landed early or late onto the waveform’s peak. The Markers panel lists them all with their times. 4. ### Snap cuts to them With snapping on, drag clip edges or the playhead to the markers. Shift+M and Ctrl/⌘+Shift+M jump to the next and previous marker in the default shortcuts. ## Importing detected beat markers Open the song at the top of this page together with at least one clip or photo (the studio needs a picture to cut to; any will do), press **Make the beat video**, and check the grid: play with **Hear the beats** on and fix it with **Half time**, **Double time**, **Earlier** or **Later** if needed. Then, under **More options**, use **Beat markers**. __The marker files__ | Button | What it is | Use it in | | ------------------ | ---------------------------------------------------------------------------------------------------- | ------------------------------------------------------------------ | | **XML (Premiere)** | A Final Cut Pro 7 XML sequence carrying every beat as a sequence marker, named “Bar 3” or “Beat 3.2” | Premiere Pro (File → Import), and other editors that read this XML | | **EDL (Resolve)** | An edit decision list in the marker layout DaVinci Resolve uses, starting at 01:00:00:00 at 30 fps | DaVinci Resolve’s timeline marker import | | **CSV** | A table of every beat: time in seconds, timecode, beat and bar numbers | Spreadsheets, scripts and any other app | Turn on **Bar starts only** before downloading if a marker on every beat is too dense. The times count from the start of the song file, so put the song at the very start of the timeline (or of the imported sequence) for the markers to line up. ### In Premiere Pro 1. Choose File → Import and pick the downloaded XML. Premiere reads it as a Final Cut Pro XML and creates a new sequence. 2. Open that sequence and check the markers along its ruler. Marker import from XML has varied between Premiere versions, so look before relying on it; if none appear, use the CSV times instead. 3. Copy your music and clips into that sequence, or nest it, and cut to the markers. ### In DaVinci Resolve 1. Create or open the timeline that holds the song, starting at 01:00:00:00 (Resolve’s default). 2. In the Media Pool, right-click the timeline and look for **Timelines** → **Import** → **Timeline Markers from EDL** (as recent versions name it), then pick the EDL. 3. If no markers appear, check the timeline’s start timecode and frame rate, and zoom out: markers outside the timeline’s range are skipped. ## What Premiere’s own audio tools do and don’t do * **Remix** (in the Essential Sound panel, and as a tool in the toolbar) re-arranges a music track to a target length by finding musical edit points. It is excellent for fitting a song to a video, but it doesn’t place beat markers. * **Markers** are manual: M adds one at the playhead, and the Markers panel lets you rename, colour and comment them. * **Scene edit detection** finds cuts in video, not beats in music. Plug-ins exist that detect beats inside Premiere; they vary in price and in how well they keep up with new Premiere versions. Importing markers from a file avoids installing anything. ## How accurate detected markers are Detection finds the sharp attacks in the music, works out the tempo from how regularly they repeat and places each beat on the strongest attack that keeps the spacing even. On music with a steady beat the markers land within a few hundredths of a second of the true beat, and at 30 frames per second they snap to the nearest frame. Songs that speed up and slow down, or begin with a long quiet intro, are harder; check the grid by ear before downloading. For a quick sanity check, the CSV lists the tempo in the spacing between beats. At 120 BPM consecutive beats sit half a second apart: ``` marker,time_seconds,timecode,beat,bar,beat_in_bar Bar 1,0.512,00:00:00:15,1,1,1 Beat 1.2,1.012,00:00:01:00,2,1,2 ``` The numbers above are an illustration of the layout; yours come from your song. ## Beat marker questions ### Does Premiere Pro have automatic beat detection? Not built in, as of late 2026; editors add markers by tapping M or use a plug-in. You can also detect the beats here and import them as markers. ### What is the keyboard shortcut for a marker in Premiere Pro? M adds a marker at the playhead in the default shortcuts. Tap it in time with the music while it plays to mark beats. ### Can I get only the first beat of each bar? Yes. Turn on **Bar starts only** under **Beat markers** before downloading; the markers are named “Bar 1”, “Bar 2” and so on. ### Does this work with DaVinci Resolve? Yes. Download **EDL (Resolve)** and import it as timeline markers; Resolve also reads the XML as a timeline. ### The markers are slightly off. Why? Either the song doesn’t start at the very beginning of your timeline, or the grid was on the off-beats. Line the song up with the start, or fix the grid with **Earlier** and **Later** and download again. ### Can it cut my clips to the markers too? Yes, in the browser: add your clips with the song and choose a **Cut style**. If you work in CapCut instead, see [beat syncing in CapCut](https://sync.video/beat-sync-capcut). ## More in beat sync * [ Beat sync video maker Clips and photos cut on the beats or bars of your own song, ready in three shapes. ](https://sync.video/beat-sync) * [ BPM finder for songs and videos The tempo of any music file, even one inside a video, with a beat grid to check. ](https://sync.video/bpm-finder) * [ Beat sync in CapCut CapCut’s beat markers step by step, and a browser route that cuts on the beat for you. ](https://sync.video/beat-sync-capcut) * [ Sync audio and video in Premiere Pro Synchronize, Merge Clips and multicam source sequences, plus fixes when Premiere won’t sync. ](https://sync.video/sync-audio-premiere-pro) * [ Sync audio and video online Drop one video to fix its delay, or several files to line them up by their sound. ](https://sync.video/)